Thursday, March 31, 2011

Internet Evolution on IMAGINATION: Creating the Future of Education & Work



Rita J. King and I were on Internet Evolution Radio today hosted by Michael Maguire giving the audience a sneak peak of our newest project, "IMAGINATION: Creating the Future of Education & Work." IMAGINATION was the result of an 18-month-long research project exploring the intersection and impact of technology on education, work and 21st Century workforce preparedness. The report officially launches next Friday, but we're giving our readers and Twitter followers a sneak preview.

It was a rousing chat and audio stream conversation in which we covered everything from virtual worlds to games to the importance of teachers.

[Internet Evolution: Rita J. King and Joshua Fouts on IMAGINATION: Creating the Future of Education and Work]

Wednesday, March 30, 2011

A Must Read Graphic Web Novel: Cynthia von Buhler's "Royal Blood"



Stop what you're doing right now and click this link to immerse yourself in the riveting handmade, real life, gothic doll house and real house extravaganza that is Cynthia Von Buhler's "Royal Blood," a story hosted on Seth Kushner's act-i-vate comics site in which Ms. von Buhler attempts to learn and tell the true story of her family's origins through handmade dolls recreating the gothic, sordid and dramatic details of her family's past. The above scene in which it appears that Leonardo da Vinci was her family's plumber is just a hint of what's in store.

[Seth Kushner's "Cynthia von Buhler: Royal Blood"]

Tuesday, March 29, 2011

New Issue of Flurb: Or "Dispatches from Interzone"



Rudy Rucker prolific Sci-Fi author has just released a new edition of Flurb, a "Webzine of Astonishing Tales" which includes two stories co-published in Spanish.

I really enjoyed the read. Here are a few highlights:

Chris Nakashima-Brown tells the strange tale of Medusa about a strange bioelectric pet you can wear. Or does she wear you?

Rudy Rucker has a cool collection of letters written between Jack Kerouac and Allen Ginsberg from 1954-1955 named for a term Kerouac uses in one of them called "InterZone."

I also really enjoyed the short story by Mexican novelist and comic artist, Bernardo Fernandez, known as "Bef," called The Last Hours of The Final Days (also available in Spanish).

[Flurb: Spring-Summer, 2011]

Three Reasons Why I'm Looking Forward to WeMedia NYC Next Week



I'm looking forward to attending WeMedia NYC next week. Here are three reasons why.

1. The "Pitch It" competition is encouraging a culture of entrepreneurialism around journalism and media. I blogged earlier about the game concept of NewsWar, our entry with Anthony Lappé in the "Pitch It" competition. But there's also some other great ideas. Sarah Rich who lead the development of Longshot Magazine, about which we've also blogged, is pitching to level-up Longshot to media outlet. There are also a couple other intriguing hyperlocal news project ideas.

2. Andrew Nachison and Dale Peskin have grown WeMedia into something important. Not so long ago, but a lifetime ago in the history of the web, Andrew and I were running sister organizations rethinking the future of online journalism. I've watched with interest as he's grown WeMedia into a movement and community, not just about the transformation of journalism, but the transformation of culture.

3. Journalism is evolving and this is the most forward-thinking approach to re-thinking journalism I've seen yet. Too many of the journalism and media conferences focus on the issues of yesterday. This conference recognizes that media is always changing and that embracing the change is the most important way to help it grow.

[WeMedia NYC, April 6, 2011]

Monday, March 28, 2011

Loving the Atavist, Home for Long Form Non-Fiction



The New York Times has a good article today about the long form non-fiction webzine called The Atavist primarily for iphones, Kindles or Nook users. The above video is the promo from their site.

The web has long been a home for long form writing -- for any form writing. But monetizing it, making it accessible to the ever-evolving landscape of devices we use to consume the web, that is the real dilemma. How can good longform writers get paid for their work? And how can it be delivered to readers? David Carr of The New York Times offers this:
Since opening for business at the end of January, The Atavist has published three long pieces that are native to the tablet in concept and execution, and it has had over 40,000 downloads of its app. Writers are paid a fee to cover reporting expenses and then split revenue with The Atavist. For the time being, an article costs $2.99 for the iPad and $1.99 for the Kindle or Nook.

“Lifted,” by Mr. Ratliff, one of the debut pieces, is about an immense heist at a Swedish cash repository, weighed in at 13,000 words. But instead of opening with a long explanation of how it was done, the reader is dropped into the actual video taken by the security cameras. A helicopter comes into view; dark-clad men in ski masks send a ladder down through a skylight and then are seen carrying guns, and later, heavy bags of cash through the interior. The video ends, cue text, and the story is rolling.


[The Atavist]

[The New York Times (article behind paywall): Long Form Journalism Finds a Home]

Friday, March 25, 2011

Journalism in The Imagination Age: Introducing NewsWar

NewsWar, a new game by Anthony Lappe

As readers of this blog know, I love fun games. Since 2003 I've been working on efforts to create games that can incidentally benefit society but, more importantly, are fun. That's a big challenge.

A few months ago Anthony Lappé invited Rita J. King and me to collaborate with him on a game design project concept called NewsWar. I saw the concept and thought it was brilliant and instantly agreed to be a part of it.

Anthony entered the concept in the We Media "Pitch It" competition and it's a finalist! You can learn more about NewsWar on the We Media web site where the Pitch It competition finalists are listed.

[WeMedia: NewsWar]

Tuesday, March 22, 2011

Creative Timeline of Middle East Protests

When I saw @mathewi tweet that this might be the best timeline he's ever seen of any kind, I clicked over and was equally blown away by this extremely informative and beautifully creative journalistic work from the Guardian.

Monday, March 21, 2011

Microminiatures



This video depicts the work of microminiaturist Anatoly Konenko, who makes the world's tiniest books and carved an entire row of camels in the eye of a needle.

A few nights ago during a party at the Imagination Age Salon I showed guests a Viewmaster reel of the Micromosaics of Harold Dalton, which are made of fragments of butterfly wings so tiny that when you view the real thing at the Museum of Jurassic Technology, you have to peer through a microscope.

I See Rock People

"I See Rock People: Mimetoliths of the World" in WIRED Science shows a spectacular display of breathtaking natural beauty and captures the imagination necessary to really see it.

Thursday, March 17, 2011

The Unthinkable Sometimes Occurs


For the past week I've barely been sleeping while researching and doing interviews about Japan's Fukushima nuclear power plant in the wake of the earthquake and tsunamis. In 2002, I learned that I had moved into the "peak fatality zone" of Indian Point nuclear power plant in Westchester County, New York, and for the next four years I wrote about it on a weekly basis, interviewing people on both sides and in between. The relationship between humans and energy consumption is the core beam of our evolution as a species, from the time we first harnessed fire and nearly drove whales to extinction for their blubber before we turned to kerosene. This issue is a nuanced one, riddled with danger and short-sightedness.

At that time I wrote a manuscript about my experiences. My agent, Jim Levine, asked me yesterday to send it to him. This is the first time I've reviewed it since writing it. One section in particular, which depicts a private Earth Day tour of Indian Point nuclear power plant, is very chilling. The excerpt, pasted below, explains many of the issues associated with the spent nuclear fuel rods. The inability to cool the rods at Fukushima poses a much larger hazard than the possible meltdown of a reactor core.

Names have been changed but otherwise the events depicted in the excerpt are factual, based on my experiences at the time. Fragments of the experiences were published as articles.




With a dosimeter strapped around my neck to measure exposure to radiation, I push green foam earplugs into place. It is Earth Day and I am taking a six-hour tour of the nation’s oldest nuclear plant, Indian Point, located 35 miles from midtown Manhattan on the Hudson River in Buchanan, New York. The day starts at the crooked cement blocks that have been mandated at the front entrance to stop trucks after September 11.

The closest I have ever come to the plant before then was during a protest at the front gate, when flatbed trucks had rolled by with giant caskets on the back to symbolize the mass death that could occur in the event if a nuclear fire at the spent fuel rod pools. Because nuclear plants are private businesses, they are not required to protect themselves against acts of war or enemies of the United States.

The spent fuel rods are removed from the reactor cores and stored in pools. The rods, which are only spent in the sense that they are no longer functioning at reactor level capacity, are made of zirconium cladding filled with ceramic pellets that contain deadly radioactive isotopes including cesium 137 and strontium 90, which is also found in the baby teeth of some of the children living around the plant.

When the rods are removed, they require at least five years of pool cooling before they can be put in dry cask storage, which is far more safe. When experts raised awareness about the danger of spent fuel rod pools, which require cooling water at all times to avoid an unapproachable and lethal nuclear fire, some European countries took the hint and started storing cooled nuclear fuel in hardened, dispersed casks. For the most part, in the US, casks are only used when pools are filled to capacity, and even then the industry seeks the cheapest approved option.

While reactor cores are protected by thick domes capable of repelling aircraft and keeping radiation inside, spent fuel rod pools are not, which means that if the water keeping the rods cool is removed or disappears, the nuclear fire that could result would sweep straight up into the air. While relatively few rods are active in a reactor core at a given time, the pools often contain all of the rods that have ever been in the neighboring core.

Over the course of the year before the tour at Indian Point I’d interviewed a number of experts who explained what might happen if an unchecked fire were to occur at the site. The consensus was that the eastern seaboard could remain uninhabitable for the duration of humanity in a worst case scenario. Industry proponents seldom argued this point but they did contend that the conditions leading to such a scenario were unthinkable. If terrorists try to remove the water, they’ll be stopped and the water replenished before a fire breaks out. No other incident or accident, defenders argue, could possibly go unchecked long enough for a fire to occur. Anyone who criticizes this failure of imagination is labeled anti-nuclear--but it's not that simple.

Bill Barrow, who is leading the tour, meets us at the front door of the reception building.

A receptionist with a fish on her desk gives us badges with our names printed neatly in black letters. Almost immediately, Barrow takes us into the control room and stands by while Will snaps photographs of hundreds of little dials, buttons and glass panels labeled with words that correspond to parts of the facility.

Endless reels of ticker-tape spool outward. The Control Room Operator sits at his desk, smiling wanly and drumming his fingers out of boredom.

“If there’s a problem anywhere,” Barrow says, pointing to darkened glass panels with words etched in black, “The lights go on behind those little words there.”

“What if there’s no electricity?” I ask. “Like if there’s an emergency.”

Barrow shrugs as if that couldn’t possibly be a problem.

“We’ve got back-up generators. This is a very sophisticated operation, Rita. A very sophisticated operation.”

“Bill, the sirens failed during a power outage six months ago because their back-up batteries were dead.”

“We learn and move on.”

In Barrow’s worldview, a nuclear catastrophe is a source of concern only for hysterical fools. The tour is scheduled to last six hours. Already I am lightheaded from nervously touching my dosimeter.

“It will beep if there’s a problem,” Barrow repeats. “Stop obsessing.”

“That’s not a sound I want to hear.”

“You won’t hear it.”

“How do you know?” I persist.

“Because,” he says through clenched teeth and a smile, “it’s a precautionary measure.”

“In case we get dosed with radiation.”

"Which we won't. Period."

In the emergency command center, I expect to finally see some examples of cutting-edge technology even though the facility was slated for construction in 1954. The site had once been a park with beaches, trails and a boat launch, and then later, a circus. Now, the nuclear plant has swallowed every memory of those happy times. Clipboards and pulleys are rigged up to ropes that run between the upper and lower levels. Barrow opens a drawer on a large square box that contains transparent overlays with various combinations of possible weather events and radioactive plumes, flips a switch on the box to turn on the light and arranges one of the clear sheets over a map of the “peak fatality zone,” a ten-mile radius around Indian Point.

“This looks like a science fiction film from the 1950’s about the future,” I say. “It’s amazing that people can come up with the ability to create nuclear energy, but it just doesn’t seem like the best option when there’s a flaming ball of power waiting to be harnessed in the sky.”

“Pie in the sky,” Barrow says dismissively.

At the end of the hallway outside the emergency command center, a group of men in white coats hunker up in a boardroom.

“Engineers,” Barrow says, “always working to make us safer. Safety is our number one priority.”

“Corporations are legally required to place shareholder profits first,” I say. “Safety is expensive.”

“There are no profits without safety. Look how many people die in automobile accidents each year but cars are still manufactured. Life is filled with hazard and risk.”

The plant is old, and I can’t help feeling that it is falling apart a bolt and gasket at a time, and that at any minute a toxic plume will surround us with its inescapable truth: that the unthinkable can happen, and it sometimes does.

Every time we get to the end of a cement hallway, Barrow slips his badge into a slot and a green light goes on to permit entry through heavy doors. Every once in a while we pass a checkpoint, where paunchy guards are supposed to make sure we don’t have weapons. The fact that we accompany Barrow seems to be enough of an indication that we aren’t dangerous or psychotic. Nobody checks.

“Do you want to see the spent fuel rod storage pool?” Barrow asks.

We follow Barrow through a maze of dark corridors, and while I expect to emerge in the bowels of the plant, we end up in an office area brightly lit with fluorescent bulbs. A man named Tagliamonte with a handlebar moustache sits at his desk, surrounded by shelves of black binders.

“The radiation is measured in beeps,” Tagliamonte says once he introduces himself and tells us that his job is to debrief us on the spent fuel rod pool rules. He holds up the dosimeter from around his own neck.

“What if it beeps?” I ask. “What does that mean?”

“The whole point is not to get that beep.”

“But what if we do?”

“You won’t if you pay attention to what I’m telling you. It’s very rare.”

“Statistics don’t mean anything to a person who has been struck by lightning,” I say. “And if we do get a beep?”

“Then we’ll deal with it.”

“Deal with it? How are we going to deal with it?”

When my mother found out I was taking the tour, she asked if I remembered the scene in the film Silkwood during which the title character, played by Meryl Streep, is scrubbed down, naked and wet, because she has been exposed to radiation.

“If you end up in a Silkwood shower,” said my mother, “don’t say I didn’t warn you. And don’t you remember how they ran her off the road at the end because she knew too much?”

The main problem with nuclear power, aside from the possibility of a catastrophic meltdown at the reactor core, is the spent fuel. At Indian Point, the storage pools are full, and the spent fuel, which is far more lethal when removed from the reactor cores than it was when it went in, are stored in pools and casks on the property.

While experts recommend a storage method that keeps the casks hidden and dispersed, separate and cool, Indian Point has opted for the cheaper casks, which are stacked up together and visible from the air. Critics fear that a single attack or a natural disaster might expose the whole load of stored fuel to create an unstoppable nuclear fire.

“Technology is always providing us with new options,” Barrow says with a smile as we walk to the spent fuel pool.

“What are the chances of the kind of nuclear fire experts warn about?” I ask. “Is it possible that the entire eastern seaboard could be wiped out?”

“Nah,” he says. “Those people are hysterical. They use emotion to manipulate other people. A nuclear fire would never be allowed to reach that level of intensity. We’ve got the river right behind the plant…”

“What if nobody can access the plant or the river?”

“Can you really imagine what kind of harebrained scenario would result in nobody, out of how many millions of people we’ve got living within fifty miles, being able to access the plant? The chances of such a thing happening are so infinitesimally small that you can just go right ahead and say it’s impossible. The Nuclear Regulatory Commission says it’s impossible.”

I can very easily envision just such a scenario.

“And what about the leaks of radiation that are currently streaming into the Hudson River?”

“Trace amounts,” he counters. “Look, you get exposed to radiation when you get x-rays, or go on a flight, or get off a train at Grand Central Station.”

“But the effects are cumulative.”

“Trace amounts,” he repeats as we continued on our way through the maze of infrastructure composing Indian Point. Turbines whir. A jackhammer sound causes us to stop and slip our earplugs into place. Expanding from body heat, the foam instantly fills my ear canals and muffles the mechanical sounds.

Barrow slips his card into the entry point of the warehouse like building in which the spent fuel rod pool is situated. Immediately, we pass on a dumpster full of “radioactive laundry," according to a sign on the side of the container.

“What happens if we get exposed to radiation?” I ask again.

“Tagliamonte told you,” Barrow says. “You’ll get a beep. Or a series of beeps. I don’t know if I’ve ever even heard my dosimeter go off. You get exposed to more radiation from bananas…It’s like dirt,” Barrow says, gesturing with his hand. “You just brush it off.” He turns to Will. “Have you ever noticed that she worries too much?”

“I’ve noticed.”

“And neither of you are worried about walking past a dumpster of radioactive laundry on your way to gaze into a pool of the most toxic waste material known to mankind? Where do you even drop off radioactive laundry?”

“I’ve done this hundreds of times,” Barrow says. “I don’t even know if I’ve ever heard my dosimeter go off. Nope. I don’t think I have, come to think of it. And there’s a place in New Jersey that does the laundry.”

We climb a metal catwalk to the platform around the cement pool.

“Now that you’re in here, don’t you feel safer about the fact that there’s no way a plane could ever possibly land in this pool and displace the water? You see now how crazy it is when people say that?”

“Not really,” I admit, looking up at the tin roof that could have blown off the place in a stiff wind. Barrow had told me during a previous interview that the roof is “just there to keep the rain out,” and serves no security function. Dizzy and nauseous, I cling to the rail, fearing that I might faint and fall overboard.

"Even if that happened, which it will not, the water would be replaced immediately, before a fire could start. Here we go,” Barrow says, waving his hand over the most stunningly clear water I’ve ever seen, “the result of a twenty million dollar water purification system.”

The purification process was mandated after a massive spray of radioactive water tainted the Hudson River six years earlier. The pool is surreal, with water that resembles the pale transparent blue of a Caribbean beach, but glassy, somehow, even though Barrow says it’s just regular water. At the bottom, neat rows of rods are nestled 27 feet down in a perfect metal grid. Nearly every slot is full. They look small and harmless at the bottom of the water, and I can see how this tricks Barrow into believing that no harm could possibly come of their presence, the same way a little old white lady rarely gets her trunk checked by highway patrol.

A shrill beep breaks the silence and we all clutch frantically at our dosimeters. Even Barrow stares down in fleeting horror before he quickly realizes that it isn’t his.

“Its mine,” Will says. “It’s mine!”

“It’s okay,” Barrow says. “Calm down.”

The beeping continues with the insistence of a midnight fire drill in a rest home.

“Is your cell phone on?” Barrow asks as Will pulls his phone from his pocket and blanches as he turns it off. “Tagliamonte did say to turn off your phone.”

“It’s on,” Will says. Barrow shrugs.

“And there you have it. No big deal.”

“How do you know his cell phone is the problem?” I ask.

“Because it is,” Barrow answers. “That’s why Tagliamonte says to turn them off.”

When the tour is over, Barrow leads us into a room and up to a machine made of shiny metallic sheets on the inside of a cylinder that is tall enough to stand inside. It looks like a giant baked potato turned inside out, foil on.

“Put your arms inside the tunnels,” Barrow says, pointing to two holes cut on either side of the machine. “Press yourself flat like this, and when you put your arms in you’ll feel a trigger at the end. Pull the trigger and the scan will start.”

“What is it scanning?” I ask.

“It just lets you know if any of your organs were exposed to radiation. You’ll get a print-out when the results are in. Not a big deal. Everybody who works here does this all the time.”

I step inside to skittishly insert and withdraw my arms before I can get anywhere near a trigger at the end of those narrow tubes.

“Go ahead,” Barrow urges. He steps up without hesitation, grabs my elbows and shoves my arms into place. Instinctively I squeeze the triggers and the scan starts. When we are all finished, we put our dosimeters into a machine that reads them.

When I get home I sit at the edge of the water on the little beach at the lake, fearful of going inside and poisoning the house. The willows along the edge of the lake are coming alive in a singular shade of electric green. Swimming geese leave trails on the surface of the water. I’m starting to see that the path of human civilization is tied to the way in which energy is harnessed and consumed.

Months later, when the report detailing my exposure to radiation arrives, it is mostly composed of numbers and symbols that make no sense. The image of the rippling blue spent fuel rod pool lingers in my memory. The rods are like the sudden appearance of a shark fin, circling ever closer.

Monday, March 14, 2011

Could It Happen Here?


I was just interviewed by Fox News (click for video) about the situation in Japan and whether it could happen here in the US. California's two nuclear plants are in seismically dangerous zones and are not built to withstand a 9.0 earthquake. That doesn't mean that they can't withstand the effects of a 9.0, but it does mean that it's possible that a serious problem could result, either with regard to destruction of containment structures paired with the inability to cool fuel rods in the reactor core or in the aftermath of a tsunami that could disable emergency power generators to keep the core cool.

I'll be on Shepard Smith, Eric Bolling and the O'Reilly Factor in the next 48 hours.

When I moved to Westchester County in 2002 I saw a woman with a bumper sticker on her car, "Do you have your emergency potassium iodide pills?" This is how I learned that I had just moved into the "peak fatality zone" of Indian Point nuclear power plant. I was extremely curious about the plant and the industry as a whole. I was already a journalist by then so I became a reporter at a local weekly where I was given a huge amount of latitude to investigate the industry and Indian Point. I went on to write as a freelancer for a number of publications. I attended Congressional hearings, protests, security and safety planning sessions, wrote, among other things, about drills, leaks, the nuts and bolts of how a plant works and the economic impacts on the community.

I am extremely familiar with arguments on both sides, and because I became so intrigued by the complexity of the situation I conducted a considerable amount of research related and unrelated to specific assignments (which journalists should always do instead of just giving "both sides" a say and writing down quotes without checking the veracity of the claims made).

Critics are often terrified of a nuclear apocalypse and industry proponents seem generally convinced that nothing cataclysmic could occur because the industry is so well-prepared for calamity. Time will tell who is ultimately right or wrong. In the meantime I'm less interested in picking sides, since the complexity of energy consumption is a subject that requires far more nuance than a sound bite will allow, and I'm more interested in understanding how to move forward from this point at a time when the unthinkable is becoming more and more routine.

Also see:
[Rita J. King on the O'Reilly Factor, March 14, 2011 "Could U.S. Nuclear Plants Withstand Natural Disaster?"]

[Rita J. King in Scientific American: Failure of imagination can be deadly: Fukushima is a warning]

Sunday, March 13, 2011

Lula da Silva, former President of Brazil, Speaks at Al Jazeera Forum









Video streaming by Ustream



Lula da Silva, the recent two-term President of Brazil just spoke at the Al Jazeera forum and it's well worth a watch. It was streamed live, but an archive is embedded above. Lula is known for being one of the first labor organizers to be elected president of Brazil and who implemented some of the most innovative approaches to technology policy anywhere in the world. Here's an excerpt of the text:
I say every day in my country, that there's no worse censorship for the mass media than the TV viewer, than the one who listens to the radio, than the one who reads newspapers. You don't need state censorship, government censorship. Whoever lies, for the better or for the worse, will lose all its credibility.

The only chance to survive, is a commitment with the truth. And above all today, when the internet, the world wide web, went beyond any communications limits that we had up till today. In the old days we waited 6 months to listen to news, and then we waited 24 hours for the news, 12 hours, 6 hours, now it's in real time and we get news and information.

There's no way someone continues to lie thinking that the people will not discover that it's a lie, and I think that the internet and the new means of communication are giving a lot of headache to some leaders in the world but they are providing an extraordinary service to the strengthening of democracy in my country, and in the world. And the almighty wish that some people that are interested in helping the Middle East should understand what is going on in our country in Brazil, what happened in Brazil. Because many of the things that happened in Brazil could serve to help you build a new democracy that the world is demanding.


[Lula da Silva speaks at Al Jazeera Forum]

via @JoseMurilo

Australia's ABC News: Japan Before and After

Scroll slowly to see the beautiful electric green rectangles of Japan's elegant landscape and architecture get transformed back to prehistoric proportions. Scroll back, travel in time to the Japan of the future. The past Japan, just gone.

This stunning use of Google maps is both magnificent and horrifying as great journalism should be.

Wondering where the people are now, the ones whose lives unfolded there.

HT @GreatDismal and Mrs. @GreatDismal.

Saturday, March 12, 2011

"Failure of Imagination Can Be Deadly: Fukushima is a Warning"



Rita J. King has a new essay on Scientific American exploring the paradoxes and challenges of reporting on nuclear power vis-a-vis the current post-earthquake, post-tsunami, post-blackout nuclear power plant crisis in Japan. In her essay she explores both the industry standards and the expectations and challenges of preparing for unlikely events. It's an interesting analysis of the difference between science, which researches the probable and improbable and engineering, which designs for industry specifications.
Opinions around nuclear energy tend to be binary, with industry proponents acting as if nothing could possibly go wrong while critics, terrified of nuclear apocalypse, remain convinced that old nuclear plants are time bombs. A distinction is often made between peaceful and wartime uses of nuclear technology, but this is rendered irrelevant by the development of depleted uranium and by the earthquake in Japan, which shows that "peaceful" uses of nuclear power can have extremely damaging extrinsic consequences in the aftermath of a meta-emergency.


[Scientific American: Failure of Imagination Can Be Deadly: Fukushima is a Warning]

Fukushima



I was asked to write a guest post about Fukushima's possible reactor core meltdown for Scientific American tonight. While trying to call a source in Japan, I kept getting this recording.

To try and keep myself awake I started messing around with the audio, playing with filters, until I had memorized the woman's entire comment even though I can't understand a word of what she's saying. The result is haunting and I wanted to share it with you. (The video was created on a Zefrank kaleidoscope).

NPR reported tonight that the scale of disaster seems "beyond imagination." I disagree. Lots of experts have warned of this exact possibility. I've interviewed many of them over the years.

Nothing is beyond the imagination. That's why the Imagination Age, the fleeting period between the fading Industrial era and the not-quite-here hybrid era ahead of us, is so important. We need to stop and take stock of what's happening, to prepare ourselves for the reality of dealing with constant change in a time of rapid transformation and extreme peril.

The best, most shocking and heartbreaking set of images of the destruction in Japan.

Tuesday, March 08, 2011

"5 Ways to Maximize your Cognitive Potential"



Twitter maven, science protagonist, artist and writer, Andrea Kuszewski has written an excellent article for Scientific American about how to maximize and extend your intelligence.

What I found most interesting in her findings is that a core tenet of her well-researched recommendations comes down to a simple concept that has applications for career, business executives, work, and creativity. In order to continue to grow mentally, it is imperative that we maintain a hunger and drive to try new things, what she calls "seeking novelty."

The implications of this are potentially dramatic. The article rather artfully undermines, in a productive way, a popular current trend about how games are a panacea to human learning. In Andrea's article, games are good, but only until they become repetitive (see excerpt below). I have long been an advocate for recognizing the potential value of games and immersive spaces. But I'm no Pollyanna. I was a fan of Andrea's before. But I think she's on to something even bigger and more important with this piece.

I'm going to shatter some of that stuff you've previously heard about brain training games. Here goes: They don't work. Individual brain training games don't make you smarter—they make you more proficient at the brain training games.

Now, they do serve a purpose, but it is short-lived. The key to getting something out of those types of cognitive activities sort of relates to the first principle of seeking novelty. Once you master one of those cognitive activities in the brain-training game, you need to move on to the next challenging activity. Figure out how to play Sudoku? Great! Now move along to the next type of challenging game. There is research that supports this logic.

Well worth the read.

[Scientific American: You can increase your intelligence: 5 ways to maximize your cognitive potential]

Monday, March 07, 2011

A Most Robotic Fellow



Ayesha and Parag Khanna have announced a hugely provocative concept for their think-tank the Hybrid Realities Institute: They've made Heather Knight's robot Data a fellow there. This may be the first time that a robot has been given dynamic intellectual status on par with that of a human.

We recently saw Heather Knight where among the group present the main topic of conversation was whether Watson should have won Jeopardy! And shortly thereafter we saw Ayesha and Parag speak about Hybrid Realities where Ayesha described how much more blended she expects us to become with robots.

I love how they are pushing the boundaries of what is technologically and culturally expected.

[Big Think: A Robot Becomes a Fellow at a Think-Tank]

Sunday, March 06, 2011

FUTURE HISTORIES: An afternoon at SCOPE NYC

Artists Wanted: SCOPE

Yesterday, at the SCOPE art show, I purchased a sea foam green book with the words FUTURE HISTORIES stamped on the front. The book, published by Brooklyn's What Nothing Press, is for Alex DiCarli's FUTURE HISTORIES, made up of ten land mass reconstruction images. My copy is 109/125.

Since then I've been adding layers of things I found at SCOPE to the cover (see below).
On the bottom is a card I picked up from Hanmi Gallery for Sankeum Koh's excerpt from a novel, Paettatagi, by Dong In Kim. The pieces are made of 4mm artificial pearl beads, adhesive and acrylic on wooden panels. On the flat page it looks like braille but in person each raised sphere is three dimensional, like a tiny glass marble.

"Sankeum Koh's works involve the meticulous assembly of pearl beads or steel balls to create an illusion of blurred texts, sourcing from newspaper columns, books and poetry. Koh transforms the literary words into fragmented visions. She draws upon the viewer's frustration at not being able to read the cryptic codes leaving the viewer to question what it is they are actually 'reading.' Her work aims to challenge the validity of such texts in newspapers and question the dogmatic approach of its readers."

The image on the top right is of my friend Barnaby Whitfield from a spread in DIRTY. I'd seen the spread posted on Barnaby's Facebook wall but the first hard copy I came across (a smartly abridged version of the digital magazine) was on an end table at SCOPE, under a gold letter D paper weight.

The sticker on the top left of FUTURE HISTORIES was created by Jen Mazer for Stephanie Diamond's HOME AWAY FROM HOME project.

Home Away from Home is artist Stephanie Diamond’s first comprehensive endeavor in creating a public component to her online project, Listings Project, a free weekly email of living and workspace for rent, sublet, swap, and sale focusing around the arts community.

Based on the idea that art is a form of communication that starts with a conversation, the sticker introduces fellow art lovers and asks them to categorize themselves as a buyer, artist, seller, critic or other, and to fill in the black after the words: I LOVE_______.

My friend Jane Kratochvil texted me.

"Did I just see you walk by at SCOPE?"

She told me where she was and I went back to find her.

"I didn't think it was you," she said. "Usually you're so va-va-voomy. I thought I saw you, then I thought I saw John Mayer walking behind you. I've been standing for too long."

"It was him."

Last time I was in a room with John Mayer was at the Gramercy Park Hotel, years ago, when he was there with Jessica Simpson and she'd gone brainy brunette to complement his poetic side or some such. The street was lined with paparazzi, just waiting for a glimpse. At SCOPE, he triggered a similar reaction, but it took place silently, in his wake.

Wednesday, March 02, 2011

The Future of Facebook Project



There's a new Kickstarter project which includes interviews (above) with Rita J. King, Doc Searls, Sibley Verbeck and a number of Internet philosophers and theorists. It's a provocative notion attempting to document the potential and speculative future of Facebook. What's intriguing is that the very existence of the project infers a belief that Facebook is a permanent, integrated part of our society that needs to be stewarded like a utility. (I quit Facebook a number of years ago because I disagree with their shifting policy and general disregard for privacy or individual ownership of property. Just yesterday it was reported that Facebook would share personal data with external sites.) Maybe this project, if indeed the future of Facebook is that of a utility like the telephone, can help steer Facebook in a direction that respects privacy.

[Kickstarter: The Future of Facebook Project]

Also see these related articles about Facebook.
[Check out this funny post about you]
[Fact, Fiction, Facebook]
[Gladwell Misses the Vesica Piscis]

Tuesday, March 01, 2011