Friday, February 27, 2009

Robot Ethics with P.W. Singer



P.W. Singer (aka Second Life's PW Chrome, aka our friend Peter Singer) author of Wired for War, the new book about how the field of robotics is transforming both our approach to war and robots. On February 13, 2009, P.W. Singer appeared in the virtual world of Second Life. This video is our report on that event.
We need to have a debate about the ethics of the people behind the robots. -- P.W. Singer

We Exist Somewhere Here: The Remix

The above image is by Dan Eldon, the Reuters photojournalist who inspired my career as an investigative reporter. This image is, in itself, a derivative work. Dan Eldon was murdered by an angry mob while covering the crisis in Somalia in July, 1993. I created the below image, which is symbolic of ideas about death, and how to live life fully, that I learned from Dan Eldon. I did have his mother Kathy Eldon's permission to create derivative work. In fact, in seeking permission, I sparked a long friendship that changed my life. I can only imagine how far-reaching Dan's influence, particularly over young, creative people, might have been had he lived long enough to participate in the digital culture. But not all copyright holders are as responsive as Kathy Eldon.

While intellectual property laws are critically important, so is the ability to share ideas, spin them into new creations, and grow in service of the greater public good.

This was the subject of last night's discussion with activist attorney Larry Lessig, artist Shepard Fairey (who created the iconic blue and red image of President Barack Obama) and Steven Johnson, "Remix: Making Art and Commerce Thrive in the Hybrid Economy" at the New York Public Library.



The event tackled a serious subject: What is the future for art and ideas in an age when practically anything can be copied, pasted, downloaded, sampled, and re-imagined?

This topic is far more nuanced and serious than it seems, because creators have a right to protect their intellectual property and at the same time, one of the core characteristics of the up-and-coming digital native culture is the ability to be collectively creative and to riff on ideas that have already been generated by other human beings not only to express one's own individual ideas, but hopefully to tackle serious issues that will benefit the public good. The young have already been strapped with an incredible roster of challenges that will affect the entire systemic functioning of the planet's population, both culturally and economically, and stripping them of their most powerful tool, the ability to collaborate without criminalizing that behavior, is inexcusable.

Shep Fairey is currently embroiled in litigation over his use of the image on which his fabulous poster was based, and he said he could have backed away but chose to fight because not all artists are in the position he's in with regard to public attention. Frankly, it surprises me that AP ever took Fairey to task, considering that he fairly attributed his use of the image and had he not bothered to do so, it's conceivable (given the number of almost-identical shots of President Obama) that the photographer and AP might never have made the connection, much less prove it. Additionally, the value of the original has been greatly amplified by the attention created by Fairey's work.

Lessig is right when he says that many of the policy decisions that run counter to the greater public good stem from campaign finance and the resulting crony corruption that occurs as a result. (In fact, I wrote chapter eight of the very recently published book, "Race, Place and Environmental Justice After Katrina," in which I detail this very subject following a six-month investigation).

This aspect of copyright law is a bit like the Serenity Prayer: May we find serenity to accept that artists are often inspired by other humans, the courage to fight blatant exploitation, and the wisdom to know the difference.

PS. The first question of the evening came from DJ Spooky AKA That Subliminal Kid via the Internet, who texted me to say he was Yale at that moment, premiering his new film. Not long ago, he was flying back from Tanzania to premiere North/South, an exhibit surrounding his Antarctica work. DJ Spooky is a perfect example of the way the lines of reality are being blurred within the digital culture for enhancement of our understanding of the physical world.

The Annals of Absurdist Marketing

The official Watchmen coffee.


I'm a fan of the Watchmen from way back -- and I'm really looking forward to the movie. I followed with interest over the years Alan Moore's effort to preserve the integrity of his other works from comic book goodness to Hollywood popstravaganza. I think they've had fun with using social media to market the movie, such as the Twitterverse dialog between characters. But, this, well ... getting this in my email this morning made me laugh (not as much, I might add as Jon Stewart calling Jeff Bezos out on the fact that $79 per year for "free shipping" is not free shipping):
Dear Amazon.com Customer,
Based on your recent shopping history, we thought you might like to know that Amazon Gourmet offers this special coffee:

Nite Owl Dark Roast Coffee
Now, I also happen to be a big fan of coffee. It's a "habit." I keep a variety of roasts and blends. I buy whole bean, grind my own etc. I'm no connoisseur, but I do enjoy exploring the variety of piquant flavors from fine roasters. But who, but the most die hard fan would buy this?
The Watchmen's Nite Owl appears on the coffee container.


The comments at the bottom are pretty funny as well. A sample:
From Darklordzen: That sound you heard ... ...Was Alan Moore's head exploding with frustration in Northampton.

Is there nothing that the shills in Hollywood won't market to try and turn a quick buck? Well, apparently they missed a trick with the 'Schindler's List' commemorative 'Amon Goeth replica sniping rifle' - but that's about it.
and
This product is one of the many reasons Alan Moore would rather not have his name attached to the Watchmen movie. Like JFK burgers or Hitler dolls this coffee is the epitome of bad taste.
'Nuff said.

Thursday, February 26, 2009

Looking forward to Earth Eternal

Trailer from the forthcoming free, web-based MMO, Earth Eternal.


For the past year I've been following the development of a free, web-based Massively Multiplayer game called Earth Eternal designed by longtime indy game entrepreneur Matt Mihaly of Sparkplay Media. Last week they released a trailer for the game and it's coming along nicely and looks really cool. Most of the free, web-based MMOs to date have been let downs -- they either focus too much on mindless hacking and slashing or too much on sale of virtual goods at the peril of meaningful interaction.

But Earth Eternal has my hopes up. I'm keen to see how they work out the story and narrative, which has always been a large part of the fun for me in games. Part of what makes a space truly immersive for me is a story that draws me into its rabbit hole of adventure and intrigue -- like a good novel that you can't set down until you've read. Just. One. More. Page.

While there is no doubt that some people are addicted to video games, the same way they can be addicted anything, the whole "addiction" accusation that is often used to deride the compelling narrative that can unfold in games is no different than calling the inability to put a book down, an "addiction" to the book.

Wednesday, February 25, 2009

Islam and China

Chinese Muslims at worship in Indonesia. Image credit: Anne Dickson


During the course of our work exploring Islam worldwide and its Internet and virtual world manifestations, we periodically found ourselves in conversations with Chinese nationals or government authorities from China or China experts who posed the question: Why would Islam and the Internet matter to China?

And so it was with great interest that, I discovered a series of websites dedicated to Islam in China and Islam among Chinese. Inside Indonesia has an interesting article about ethnic Chinese practicing Islam, called "Chinese Muslim -- and proud of it" by Anne Dickson. The article has some excellent images by the author and a some interesting insight:
[The] Chinese New Year Gala Dinner in Surabaya was an impressive event. Thousands of people, mainly Indonesians of Chinese descent, packed into a beautifully decorated convention hall to enjoy a banquet and entertainment. Each item was introduced in Mandarin and Indonesian, and the mayor and the American and Chinese consuls-general were present to wish the revellers well.

Just a few years ago, public displays of Chinese culture were forbidden, and a celebration like this would have been unimaginable. But even in reformasi Indonesia, this was a Chinese New Year celebration with a difference. The Gala Dinner was hosted by the Chinese Muslim Association of Indonesia (PITI). An Islamic song or two featured alongside Chinese items. In a brief address, a leader of PITI wished everyone a happy Chinese New Year and thanked those who had donated to flood victims through the organisation. Later in the proceedings, another Chinese Muslim leader led a prayer for the few Muslims present before the singing and dancing extravaganza resumed.
Also of interest are two relatively new related websites, the blog, "Islam in China" and its new companion site, Islam in China Webzine, which includes as its ethos:
The subject of Islam in China is an oft neglected one. In the West most people conceive of Muslims as being Arabs despite the fact that majority of the Arabs in America are Christians. Outside of China there are also many misconceptions that Muslims have about Muslims in China. Many Muslims are even surprised to learn that there are more Muslims in China than there are in Saudi Arabia.
The webzine, while in need of a good copy edit, had a number of intriguing articles including one discussing the hadith, (a hadith is an oral tradition relating to the words and deeds of the Islamic prophet Muhammad), "Seek Knowledge as far as China." and another recounting the experience an American Muslim in China:
I had found that mosque in Shanghai and was warmly welcomed as if it were my own Friday haunt. In spite of this and the many conversations of which I’ve just spoken, some bit of cynicism wasn’t letting me accept the possibility of people really being that accepting of an early traveler just because the Tangerine knew the right words to say as the light would begin to fade on a Ramadan evening. These thoughts began to fade as I took off my shoes one Friday and found a place to sit between a middle-aged Uyghur man and a teenaged Hui, the room filled with whispers in a half-dozen tongues only to be silenced by an all-to-familiar call.
Both publications are very useful reads on the subject of Islam in China. They left me wondering what Islam was really like in China for the individual Chinese citizen. When I was in China recently, I found the culture to be still very much secular, especially and ardently so for people under 30, for whom Mao Zedong is very much revered.

Hat tip to the ever-useful Inside Islam blog, that opened up the rabbit hole to these discoveries!

Tuesday, February 24, 2009

Fiction, Fact, and Facebook


Me, back when I met some of the people on Facebook.


A lot of people want to know why I don't "use" Facebook. I do. I have an account and I use it to join groups such as the Former Students of PS 203 and Dancing Ink Productions and "I'll Have My Facebook Portrait Painted by Matt Held." He's an artist looking for 200 portraits to paint. He estimates that it will take two years to complete the body of work, and smartly, he's selling the paintings (with each subject having the right of first refusal).

I was group member 190, but I don't know if I'm eligible for participation because each person was asked to do two things: join the group, and offer friendship to Matt Held so he can view profile pictures. I admire his entrepreneurial chutzpah and creative panache, and I'm sure it would be great to hang out with him some time at a party at Collective Hardware while DJ Spooky hits the turntables, but I won't be his friend on Facebook, because I'm not anybody's friend.

It isn't because I'm extending some kind of misanthropic campaign from the physical world into Facebook, or in protest of the fact that Facebook wants to own all of my posted content forever. It's because dozens, maybe even scores of people on Facebook have been characters in my fiction.

My father is a novelist and writer, and he got me started young and kept up his momentum over the years. On December 18, 2002, he gave me a card with a picture of a skeleton on the front, typing on an old-fashioned typewriter. Here's what it said inside:



This picture reminded me of a poem my father had given me years earlier, "The Writer," by Richard Wilbur:

In her room at the prow of the house
Where light breaks, and the windows are tossed with linden,
My daughter is writing a story.

I pause in the stairwell, hearing
From her shut door a commotion of typewriter-keys
Like a chain hauled over a gunwale.

Young as she is, the stuff
Of her life is a great cargo, and some of it heavy:
I wish her a lucky passage.

But now it is she who pauses,
As if to reject my thought and its easy figure.
A stillness greatens, in which

The whole house seems to be thinking,
And then she is at it again with a bunched clamor
Of strokes, and again is silent.

I remember the dazed starling
Which was trapped in that very room, two years ago;
How we stole in, lifted a sash

And retreated, not to affright it;
And how for a helpless hour, through the crack of the door,
We watched the sleek, wild, dark

And iridescent creature
Batter against the brilliance, drop like a glove
To the hard floor, or the desk-top,

And wait then, humped and bloody,
For the wits to try it again; and how our spirits
Rose when, suddenly sure,

It lifted off from a chair-back,
Beating a smooth course for the right window
And clearing the sill of the world.

It is always a matter, my darling,
Of life or death, as I had forgotten. I wish
What I wished you before, but harder.

Every year, since I was twelve years old, I've written a manuscript for a novel. I wrote most of them long-hand. Had I known about the archives in Texas I would have held onto those notebooks, but alas, I have only boxed reams of paper, draft after draft after draft. I've also written dozens of short stories. Hundreds, depending on how short a story can be. Thousands, if fragments in notebooks represent, like a drop of rain reflecting an entire forest, a holographic whole.

People who know me intimately know that I write about them. Their patterns of speech, their passions and fears, turn up in my stories. I document fits of rage, jealousy and euphoria, moments of saturated silence, weather from a wedding day, the sound of bagpipes and children, all snippets in the twisting path of my invented characters over the course of the past twenty years.

My friends are just regular people, of course, we all are, but they are also a collage of characteristics that have shaped the way I've spent nearly every truly free moment of my life, and they have become mixed-media, mixed reality, real people--combined with my imagination. My friends are the cast of characters who together embody the ideas they have put in my head. When I see my friends on Facebook, I almost think of them as avatars. The people that they know paint portraits of the relationships in their everyday lives. I see them, however, in a mystical light because they have each illuminated some facet of my psyche that would have remained dormant if not for the unique light provided by each person.

I emailed Matt Held, the artist, and I attached my Facebook profile portrait. I hope that he'll consider adding it to his body of work. I never offered him friendship in Facebook, but I've written about him.

Making Government Information a Human Right

Carl Malamud in his campaign for Public Printer of the United States.


If there's a consistent theme I've blogged about over the past 10 years of my various blog incarnations, it's been toward innovation, collaboration, and creativity among bureaucracies, especially government.

So it was with much intrigue and enjoyment that I encountered Carl Malamud's effort to get himself appointed to head of the Government Printing Office.

I am particularly pleased by these two elements of his platform:
6. Rebooting .Gov. There is no reason why the U.S. Government should not be one of the top 10 destinations on the Internet! GPO should work with the rest of the U.S. Government to radically change how we present information on the Internet. Some of the initiatives would include installing a cloud for .gov to use, enshrining principles of bulk data distribution into legislation, and a massive upgrade in the government's video capabilities.

7. Full Transparency. GPO serves all 3 branches of government. As the nation's service bureau, GPO must be fully transparent in its own financial affairs and should be a forceful and effective advocate for the public domain. Most importantly, the GPO must be fully transparent to its clients—the Congress, the Executive Branch, and the Judiciary. If nominated and confirmed, I would pledge to serve on the front lines of customer service, working to understand the needs of our clients and the public.

In my time at and after the State Department, I made it my personal mission, nay passion, to be a technology evangelist -- encouraging bureaucracy to think differently about the use of technology. There has been much talk of creating a new Chief Technology Officer for the Obama Administration. It's unclear who or when that person will be announced. Meanwhile, if Mr. Malamud were in the GPO position, I think we'd be one step closer toward some exciting change.

There is much work to be done in this arena. There's no specific mention of the Patriot Act that I can find, which would be a good place to create greater clarity, especially with regard to its impact on library research.

Malamud's closing platform, however, gives hope:
Access to information is a human right and the United States of America is the world's leading producer of information. As the publisher of the United States, GPO plays a vital role in promoting useful knowledge, promoting the progress of science and useful arts, and promoting and preserving the public domain.

File Under: A Transforming Global Culture & Economy

"Evolution" Image credit: Barabeke.


Nothing illustrates the tenets of the transforming global culture and economy under which Dancing Ink Productions was formed and is working today than two new recent stories involving our pal Cory Doctorow. Congratulations to Cory for making it into the Establishment Zeitgeist. (Or are they now the Opposition Zeitgeist?) Either way, congratulations to Cory for making it into Wall Street Journal columnist and former Reagan Speechwriter Peggy Noonan's column today, "Remembering the Dawn of the Age of Abundance." Noonan cites Cory's February 17, 2009 BoingBoing post, "How are you coping with collapse-anxiety," as an example of the transformation of our culture and economy. Noonan says:
The best report on how the young are experiencing it all came this week from the Web site Boing Boing, from the writer Cory Doctorow, who asked readers, "How are you coping with collapse-anxiety?" He wrote, "For me, I think it's the suspense that's the killer. What institutions will survive? Which ones are already doomed? Which of the items in my calendar are likely never to come to pass? Will my bank last?" He continued, "What are you telling yourself? How are you all sleeping at night? Are you hedging your bets with canned goods and shotguns, or plans for urban communal farming? Are you starting a business? Restructuring through bankruptcy? Moving back in with your parents?"

His readers wrote back, creating a stunning thread that said, essentially, all of the above, and more. They went from the wry—one reader is "drinking more . . . feeling disconnected from reality . . . watching more TV and movies"—to the tough—one said, "When the world turns crazy the crazy turn pro." A number were moving in with relatives. In fact it sounded like the old days, before the abundance. Some were planting gardens. One said he was learning the ukulele so he could be a wandering minstrel. Mr. Doctorow told me the reaction was "stupendous" not only in terms of numbers but in terms of seriousness: These were people truly sharing their anxieties.

Cory's post has a little over 220 comments on it at this time.

Cory also has a great new column in Information Week called, "Media-Morphosis: How the Internet Will Devour, Transform, or Destroy Your Favorite Medium" that I've been meaning to blog about. It explores the current downturn in traditional media vis-a-vis the Internet. From the article:
Big-budget movies (BBMs) require a lot of capital and rely on studios controlling the rate and nature of distribution of the finished product. If you're going to recoup your $300 million box-office turd, you need to move a hell of a lot of DVDs, TV licenses, foreign exhibition, Happy Meal toys, and assorted "secondary" revenues.
Let's be realistic here: Nothing anyone does is going to make it harder to get movies when you want them, where you want them, and at whatever price you feel you should pay for them (including free). And the harder you crack down on Internet movie-downloading, the more attractive you make buying pirate DVDs from criminals on the street -- a virtually zero-risk transaction that directly displaces DVD purchases.

As we have written extensively, the transformation of a new global culture and economy is setting up new opportunities for meaningful work based on a more authentic sense of self. We have used virtual worlds as a device for highlighting and exploring this evolution. The two items above are great examples of this.

(Thanks Rad!)

Tapping Into a Cultural Zeitgeist

Saudi poet Aydah Al Aarawi Al Jahani


Just came across a great article in Variety by Bryan Pearson and Middle East Online about a row surrounding a television program coming out of Abu Dhabi. The popular show "Poet of Millions" produced by our colleague Nashwa Al-Ruwaini (the brains behind the two top-rated Middle East television shows, "Nashwa" and "Poet of Millions" with whom we collaborated on the Live from Doha event last year) has generated some unexpected publicity:
Saudi poet Aydah Al Aarawi Al Jahani is being embraced as a hero by women and poets alike not only in the Arab world but further afield because she refuses to quit the highly popular Abu Dhabi TV show "The Million's Poet" despite pressure from her family and tribe.

Bloggers and Internet poetry sites have praised her decision not to walk away from the show, saying she is paving the way for women's empowerment in the Arab world.

There are so many interesting thing to observe about this -- not the least of which is the fact that a top rated television show is a poetry competition. (Can you imagine American Idol being sustained on poets? We can.) We've been interested in this program since we first learned about it a year ago. It's a great example of how attention to different creative cultural nuances can tie the past and the present together and tap into a critical cultural zeitgeist in powerful ways.

Says Nashwa in the Variety article:
"I ... hope she continues in the competition and doesn't throw in the towel before her time. She is a true example to women all over the region proving that women too have their place in the arts."

Monday, February 23, 2009

Obama Names White House Web Team

Obama's campaign web team spun fiber optics into community currency.
Image credit: Wesley Fryer.


The White House has announced the "White House Internet" team according to Ari Melber of The Nation. The team, which is mostly a carryover from the campaign web and transition teams, which did amazing work, include former staffers for Nancy Pelosi (Jesse Lee, Online Programs Director), and a former member of Google's New Business Development Team (Katie Stanton, Director of Citizen Participation).

We were impressed with the level of professionalism and technological competency that the team displayed during the campaign and then immediately after getting the Change.gov website up the day after the election to the robust community participation of the website.

Here's hoping they are already thinking about how to unify this kind of innovation throughout government.

Digital Diplomacy: Toward a Culture of Experimentation

Image credit: Lynn.


Pax Bellona blog has posted a solid analysis with recommendations reacting to Secretary of State Clinton's new digital diplomacy outreach efforts. The recommendations include:
BlogTV - Allows users to create their own live streaming webcams
BitBomb - A text message reminder service that sends reminders to your cell phone
Sendible - Allows users to schedule email and text messages (such as for birthdays)
Doodle - An extremely simple scheduling/coordination program that requires no signup (I did use this to schedule my first year review with two busy professors - I was able to schedule and confirm in about two days, which I think is quite good)

These are all great tools, which I also recommend. The challenge, however, in addition to adopting these new tools, is creating a culture within the organization that reinforces entrepreneurialism and creative problem-solving. As we discussed in our recent report, "Digital Diplomacy: Understanding Islam through Virtual Worlds," and also in a recent interview with the National Journal Online, the biggest challenge is overcoming bureaucratic stovepipes and endorsing a systemic shift in government, business and non-profit culture toward one that is agile, nimble and supportive of experimentation with new ideas and new technologies. Even adopting Pax Bellona's good technology recommendations may not be enough.

The fact is, technology evolves faster than we can pace. Three years ago, Google was hardly a player. A year ago, the now-ubiquitous Twitter was relatively unknown. It used to be that once you got the hang of your bureaucratic position you could guarantee a degree of stability and consistency. No more.

Keeping current with technology is very much like surfing, which makes "surfing the Internet" an apt aphorism. You don't just catch a wave and ride it forever. As each wave passes, the next one rises requiring you to paddle out to catch it and ride it -- or miss it. Waves come and go. It's a strategic mistake to assume that a wave will last forever. This motion toward constant change is antithetical to the mindset of bureaucracy. I see it as a grand opportunity for organizational culture to shift toward a more dynamic, creative mindset. It requires a degree of intellectual athleticism to keep up.

Change is an inevitable part of the way that business and government and all organizations must now operate.

(Thanks John!)

Sunday, February 22, 2009

UK Hiring Government 'Twittercrat'

President Obama's one-time Twitter page, which was used during and up until his inauguration.


While the Obama Administration has floated a number of possible names for the US Government's nominal "Chief Technology Officer," the UK has put their money where their mouth is: They have posted a job announcement Director of Digital Engagement. An article in the UK's Telegraph notes:
The Director of Digital Engagement role requires the successful candidate to develop strategies to communicate with people on popular internet sites such as Facebook, MySpace, Bebo and Twitter.

The Senior Civil Service position has a starting salary of £120,000 plus 30 days annual holiday but could rise to £160,000 - more than the Chief Whip, Cabinet Minister and Lord Chancellor get before allowances.


The pay doesn't shock me. It's in line with upper level US government "senior executive service" salaries. My guess is the pay scale of the US CTO will be around that much as well. We'll be watching this position with interest.

(Thanks, John!)

Saturday Night at the Digital Drive-In



Understanding Islam through Virtual Worlds playing at the Imagination Age in Second Life.

Thursday, February 19, 2009

Do you see data?


Dancing Ink Productions currently has several projects in development involving data visualization work. If highly creative data visualization is your passion, please comment below with a link to your work. Please describe who you are, what you do and your approach to mixed-media mixed-reality in less than 100 words.

Wednesday, February 18, 2009

New op-ed on PolicyInnovations.org



I have a new op-ed posted at Policy Innovations a publication of the Carnegie Council for Ethics in International Affairs called "The Ethic of Public Diplomacy," in which I call for greater attention to the importance of ethical cultural dialog in public diplomacy as we plan for the future.

The op-ed comes after nearly a half-dozen articles and blog posts have appeared in as many days focusing on the absence of any new word from the Obama Administration about who will be the next under secretary for public diplomacy.

Read more.

Article on Religious Identity and Virtual Experience

Religious images in the virtual world of Second Life from "Understanding Islam through Virtual Worlds" graphic book.



Religion Dispatches contributor Rachel Wagner has a February 13 article that we just discovered. It's an interesting read. The article, "Dreaming Cyborg Dreams: Virtual Identity and Religious Experience" looks at:
[f]our types of immersive new media that address the issue of religious identity: Waco Resurrection, a religiously-inspired first-person shooter, Noah’s Ark, a religious online reality show; Roma Victor, a massive multiplayer online role-playing game, and religious experiences in the online world of Second Life.

The article is a thoughtful analysis of a cross-section of ways that identity is reinterpreted through different media prisms. Ms. Wagner draws on the work of Richard Bartle and Polish artist and game theorist Miroslaw Filiciak for context.

As we've written before, the opportunity provided by the mediated identities of virtual spaces makes it a unique, if not ideal environment for dialogue and conflict resolution. One example we're proud of and which Ms. Wagner's article mentions, is a reflective encounter that Rita J. King and I had in Second Life as part of our research for the Understanding Islam through Virtual Worlds project. This encounter was adapted in the 2008 essay we wrote for the Aspen Institute, "Virtual Pilgrimage to Mecca: Building Dialogue with Avatars."

Monday, February 16, 2009

Murrow, Refracted



Last week I was inspired to write the blogpost "Finding the Next Murrow," after a conversation with Lawrence Pintak, veteran American journalist who has covered the Middle East for 30 years and is now head of the Kamal Adham Center at the American University in Cairo, about a some ideas he was discussing with Ambassador Bill Rugh, former US Ambassador to the Republic of Yemen and to the U.A.E. The idea was using Edward R. Murrow as a model for a selecting the next US Undersecretary for Public Diplomacy and it so inspired me that I even suggested Pintak as a candidate who fit the mold.

I was excited to see in my Google Alerts today, a notice that Lebanon's "Daily Star" was carrying an op-ed co-authored by Pintak and Rugh entitled, "A New Murrow for US Public Diplomacy." The article makes a compelling case for the Murrow Model, emphasizing that the question is not who among the wide range of qualified journalists should be chosen, but why such skills would benefit the position of Undersecretary for Public Diplomacy:
The response to the naming of the next public diplomacy chief should not be, "Who?" even among the cognoscenti. The appointment of a journalist renowned in the US and respected in the halls of power abroad will require no explanation. The acclaim in America will echo in the international media.

Reporting the news and telling America's story to the world are - emphatically - not the same thing. Yet journalist-as-public-diplomacy-czar is not an oxymoronic concept. The job description is similar for both: Effective communication skills; an instinctual understanding that the people of the world view America through many prisms; and, most of all, credibility.

At the end of the day, the public diplomacy czar is an advocate, but one who is always truthful. The experience of the Voice of America over the past six decades shows that policy advocacy and journalistic integrity are compatible. A journalist working for the government does not have to check his or her values at the door. Reporting on American policy as well as on dissent from the official line is good public diplomacy because it is credible.

Sunday, February 15, 2009

Op-Ed in Abu Dhabi's "The National"



There's a great op-ed in the Monday, February 16, 2009 edition of the Abu Dhabi's "The National," called "A ‘second life’ for public diplomacy in the Middle East." The article explores President Obama's public diplomacy strategy in the Middle East and has this to say about the Understanding Islam through Virtual Worlds project:
When viewed in the context of the currently rising optimism about the US handling of Middle East issues, a project of this calibre suggests that US public diplomacy in Muslim countries is developing new approaches to Arab-Islamic culture. The project’s use of Second Life virtual experiences, where internet users can interact with each other through avatars to engage in intercultural dialogue, is indeed a pioneering initiative. It may enable foreign policymakers and practitioners, corporations, NGOs and ordinary people to both understand and appreciate the nature of the Islamic faith and the communicative power of virtual space in promoting religious dialogue.
A year ago we were in Doha, Qatar -- in fact, that's where we effectively started the project -- at the US Islamic World Forum and as our friends and colleagues gather in Doha right now, we're particularly grateful for the support many of them showed for this project.

Update: The op-ed was a response to a February 10 article in The National, "Call for greater online cultural dialogue," by Roland Hughes.

Friday, February 13, 2009

On Scrapping Embassies and Ambassadors


Jon Taplin's new information hierarchy.

Independent Diplomat's Carne Ross writes an excellent essay in this month's Europe World, called "It's time to scrap ambassadors and their embassies." It's a tough and timely piece. And one that I hope reaches the appropriate ears.

There are so many plumb grafs that it's hard to pick just one to share with you. He takes on the vagaries of the term public diplomacy, which is long overdue. Ross also makes the case for the fundamental shift in information flow. I found the following graf particularly telling as it relates to our specific interest in Digital Diplomacy:
I do not mean by this that foreign ministers or ambassadors should start blogging, but rather that if they are to shape public opinion in other countries or even globally they will need to take a much more sophisticated approach than paying for quasi-corporate PR. The internet brings with it the likelihood of an immediate chorus of voices to disprove overly extravagant claims or political hypocrisies. This means that governments will increasingly be judged by their actions and not by how they themselves describe them. This is a wholly positive development for those who want more accountability, but it requires governments and diplomats at last to realise that no one believes you unless you practice what you preach. As in all good theatre, showing is telling. Diplomats should by all means communicate their government’s message, but must be aware that thanks to generational changes and new technology the scepticism with which that message will be greeted has never been greater. To those who are smart, of course, this is as much an opportunity as a challenge. We the public must now beware of governments which just like commercial corporations infiltrate their messages into otherwise innocent soap operas, chat-rooms or movie scripts.

As we've blogged before, the challenge for government is to realize that they must let go of the control of the message. And this is why we liked Jim Glassman's philosophy so much.

Mr. Ross's essay is very much inside baseball, in that it is directed at diplomats and those who oversee their community and culture. But it has larger implications for government as a whole. A must read.

Thursday, February 12, 2009

Non-Violence and Conflict Resolution in Virtual Worlds


(We recommend watching in HD for crisper image.)


Rita J. King, in the form of her avatar Eureka Dejavu speaks on the potential value of virtual worlds for non-violence and conflict resolution. This statement was recorded as a follow-on to an interview she gave to blogger/podcaster Cathy Brooks.

Wednesday, February 11, 2009

The Coolest Job in the World

The State Department's 2007 Virtual Vibe Jazz Festival.


When Joshua S. Fouts tells people that he's the Chief Global Strategist at Dancing Ink Productions, the reaction is almost always the same: "That sounds like the coolest job in the world. But what do you do? And, I love your glasses, man."

He does the same thing he's been doing for the last twenty years: Serving as a technology catalyst to help institutions worldwide build a better understanding between cultures. Today, in an article "Clinton State Department Looks To Boost Online Presence" by Amy Harder, The National Journal Online precisely nailed his visionary perspective and further, offered an informative and accurate snapshot of the State Department's relationship with technology.
"Government has always been driven by an effort to control information, but to be part of this conversation inherent in Internet culture is to let go of control of information and roll with it," Fouts said. "That's very challenging to the culture of government. Bureaucracy abhors that."

After two decades of promoting the digital culture, I can understand why Josh might view the government's approach to social media "cautious." But I see the recent Jazz Festival they held in Second Life and Undersecretary Glassman's first digital steps in the American University of Cairo's Virtual Newsroom as a modern moon landing. The same way the lunar journey enabled humanity to see the planet from a distance, the virtual journey allows us to take a longer view of our own bodies and imaginations, and the relationship between them. As a species, we are capable of so much, and the Internet is the first step toward working and socializing across boundaries in a truly inclusive way. Josh has earned his global reputation for paving a clearer, more meaningful path toward this goal.

Tuesday, February 10, 2009

Doctorow's Law

Plush doll Provenance Image credit: Burning Schoolhouse.


We just came across an interesting and important quote from pal Cory Doctorow, who continues to expand and refine his provenance. He spoke today at the O'Reilly Tools of Change conference and offered a new idea, "Doctorow's Law," which asserts that if a publisher takes something of yours and attempts to control it with their own Digital Rights Management tools and prevents you from accessing it, then it is not in your best interests as an author or artist. The O'Reilly Tools of Change blog quoted it from memory this way:
If someone takes something that belongs to you, and puts a lock on it that you don't have a key for, that lock isn't in your best interests.
Or, put differently, "If you can't open it, you don't own it." (Hat tip to Quinn Norton.)

We experienced this problem with the graphic book from Understanding Islam through Virtual Worlds. It turns out that Blurb.com, the self-publishing company (a competitor with Lulu and others) doesn't want you to have the right to distribute your material electronically. Sure, they'll help you self-publish a paper version of your material, but they believe they have the right to decide whether you can provide an electronic version. It's our belief that electronic distribution of one's work does not impair paper version sales. And this has been proven out across a number of authors. It's unfortunate that Blurb would be so Orwellian and restrictive. But maybe if Doctorow's Law pervades, it will reach the ears of executives at cool businesses like Blurb.

Thanks Tish!

Ill Clan Nominated for Cleveland International Film Festival!


The Ill Clan.


Congratulations to our pals at the Ill Clan (who collaborated with us on the Understanding Islam through Virtual Worlds short documentary) for their machinima mini series, "Tiny Nation" being nominated for the Cleveland International Film Festival.

Why is this a big deal? Because it qualifies them to be nominated for the Oscars. We don't think the Academy is quite ready for the machinima yet, but it's almost time. We're proud to be collaborating with the company that is paving the way to the future for broader recognition of machinima. Check out Tiny Nation!

Once Upon a Time in North Ossetia

The flag of Ingushetia. Image credit Thomas Roche.


Almost a year ago, at the launch of our Understanding Islam through Virtual Worlds project, we encountered two avatars while checking out the virtual hajj in the virtual world of Second Life. One avatar, whose name was "Ingush" identified himself as a person living in North Ossetia. It was a pretty amazing moment for me -- one that I experience infrequently enough in Second Life that it strikes me as extra unique. I had heard of the region enough to know that it was an historically Muslim region. But I knew it more because of its proximity to Chechnya. Rita J. King and I wrote about the encounter in an essay for the Aspen Institute, called "Virtual Pilgrimage to Mecca: Building Dialog with Avatars."

The conversation was tense, at points. But we worked through the discussion and ultimately came out the other side more informed. But not fully informed. I have never been to the North Ossetia region and I will likely never know what it means to live in an area so rife with conflict and ethnic tensions. Second Life is but a mask against such realities.

So it came as some surprise, now that we've completed the project to receive the following headline from the ubiquitous Len Baldyga, purveyor of fine emails about public diplomacy from the Window on Eurasia blog: "Bush Administration Sought to Destabilize North Caucasus in Revenge for Georgia, Ingush Leader Says."

Suddenly, "Ingush" meant something more to me. Something personal.

Saturday, February 07, 2009

Three New Carnegie Council Videos from Understanding Islam through Virtual Worlds

The Carnegie Council has uploaded edited excerpts from the January 29, 2009 release of the Understanding Islam through Virtual Worlds project. Each video is about a minute and a half long.

Non-Violence in Virtual Worlds -- Rita J. King




Creativity in Virtual Worlds -- Rita J. King




Online Diplomacy -- Joshua S. Fouts

Friday, February 06, 2009

Finding the Next Murrow



In the absence of any new word on who President Obama is going to appoint for US Undersecretary for Public Diplomacy (though everyone is preparing for it to be Judith McHale) I'm going to recommend two people who, in the spirit of gettings things right in US public diplomacy, would make strong candidates.

First, definitions of success. Historically, the better leaders of US public diplomacy were people who were either very close to the President or were strong journalists with a fundamental understanding of the ethics and art of communication. Or both. Edward R. Murrow for whom two US university departments are named -- one focused on journalism and one focused on public diplomacy -- is often lauded as the father of both US public diplomacy for his work directing the U.S. Information Agency (until 1999 the main public diplomacy division of the US government) under president Kennedy and modern US journalism for his World War II Reporting.

I've had a number of conversations with people around the world and inside and out of Washington about the possible appointment of Judith McHale, who Al Kamen recently floated as the Obama Administration's candidate for Undersecretary of Public Diplomacy. Opinions have varied from viscerally negative to supportive. Those who criticize her feel she's too much media executive and not enough journalist. Those who support her like the fact that she is a savvy, female corporate media leader with strong democratic connections and success in managing a large international media organization.

But how does she fit into the Murrow Model? She's close to the Secretary of State, and has probably met Obama. But she's not been described as close to President Obama. Journalistically ... well, she's not a journalist. She's an attorney and a successful businesswoman who understands how to grow a media business. She might be a great leader, but she doesn't fit easily into the Murrow Model.

With that said, I'd like to propose two candidates for Undersecretary for Public Diplomacy in the Murrow Model who the administration might consider, (if they are even still considering names):

Bill Moyers - Veteran journalist, author, commentator and chronicler of the human condition. Moyers stands out among his generation of journalists as the current godfather of ethics and objectivity. Moreover, in the grand tradition of Teddy White, Moyers believes in the importance of journalism as a fundamental effort to understand the human condition. One need look no further than Moyer's seminal conversations with philosopher Joseph Campbell and The Power of Myth. Moyers took very seriously the task of understanding the context of human beliefs.

Moyers also has unquestionable Democratic credentials: He worked for both President Kennedy and President Johnson (the latter as Press Secretary from 1965-1967).

Why would Moyers be good for public diplomacy? Because public diplomacy, practiced well, or rather led well, should be lead by a person who understands the importance of understanding human culture. You can't talk to a culture if you don't first understand the dynamics, language and, yes, venue in which that conversation is going to take place. I think Moyers would be savvy enough to recognize the importance of technology and the Internet in this mix.

Lawrence Pintak -- Lawrence Pintak is a veteran American journalist, author, scholar, and leader and the director of the Kamal Adham Center for Journalism and Training at the American University in Cairo. Pintak has worked and reported on the Middle East for over 30 years. In fact, he was the last CBS Middle East correspondent ever. That's right, CBS News covers the world without a full-time Middle East correspondent. He's the author of "Reflections in a Bloodshot Lens: America, Islam & the War of Ideas," which significantly helped inform my understanding of the US public diplomacy problem in the Middle East.

Pintak, like Murrow, has both outstanding journalistic credentials and solid public diplomacy credentials. He has engaged government in professional and scholarly dialog to help shape and understand public diplomacy. He also understands that journalism and government cannot be practiced in a vacuum. He recognizes that if people do not change with technology, it -- and culture -- will change without you. As such, Larry is one of the few senior journalists of his generation who has been fearlessly experimenting with an effort to better understand how journalism is changing at the intersection of technology.

Additionally, Pintak understands Islamic Culture. President Obama has been very clear about the fact that he wants to engage Islamic Cultures worldwide. Pintak has expertise in both Indonesia (the largest Muslim country on the planet) and the Middle East. If we are looking for a leader who will understand how to communicate with those communities, we need look no further than Pintak.

(In an interview this morning with Lawrence Pintak for a documentary Dancing Ink Productions is producing with him as part of a USAID-funded contract on virtual journalism and public diplomacy, Pintak also endorsed the idea of Moyers as a possible candidate for Undersecretary for Public Diplomacy.)

Why have I recommended two journalists? First of all, because journalists start their careers listening. Their first job is getting and then telling stories. To get the story you have to first know where the story is being told: Is it the Internet? Is it a cocktail party? Is it an executive office? To tell the story you have to understand how to communicate that story: Is it shortwave radio? Exchange programs? Virtual worlds? What is public diplomacy if not storytelling? And understanding how to tell the story. Maybe we should change the title of the Undersecretary of Public Diplomacy to Chief Storyteller. As I mentioned yesterday, what excited me most about James Glassman was that he understood this very nuanced issue. Bill Moyers or Lawrence Pintak are but two examples of the kind of model that also understands this issue. I have no idea whether either of these two would be interested in the job, but they are the type of people from whom this position would benefit. If Judith McHale is to be the Undersecretary or anyone else, for that matter, I hope she or they bring an equally open-minded and sensitive approach to this very nuanced and unique office.

Thursday, February 05, 2009

Glassman 2.0

James K. Glassman at the New America Foundation in December 2008.

I discovered a good interview with Glassman today via John Brown's PDBPR on the National Journal Online written by Amy Harder.
NJ: What can the Obama administration do to enhance public diplomacy through new media and the Internet?
Glassman: Let me tell you the most important thing it should do. The administration needs to appoint a successor to me... who has an orientation toward national security, not an orientation toward public relations. That's an imperative. What I dread, what I'm really worried about, is appointing somebody who essentially sees his or her job as an image-maker. That would be a huge mistake.

Everytime I read an interview with James K. Glassman, until recently the US Undersecretary for Public Diplomacy, the more I wish President Obama had kept him in office. It's not like the Obama Administration is opposed to appointing or retaining Republicans. About the only substantive criticism I have heard about Glassman's qualifications for chief public diplomat is that he endorses the so-called "War of Ideas" as a philosophical tenet, which aims to underscore the ideological differences between the US and al Qaeda. While some have declared the "War of Ideas" concept dangerous, my problem with it is that it lacks the necessary nuance to actually gain momentum. The fact is, there's a "War of Ideas" within the United States, and likely within al Qaeda, since both groups are made up of humans with their own ideas about things no matter what views are imposed or strongly endorsed by leadership. Also, neither of the opposing sides identified in the "War of Ideas" represent the majority opinion of the millions of people who are directly affected by the policies espoused by each.

With that said, I was shocked and delighted to hear Glassman's speech on "Public Diplomacy 2.0" that he delivered at the New America Foundation in December:
Extremists can't adapt to social networking because it shakes the foundations of their whacked-out, rigid ideology. But what about governments? Aren't we rigid too? Don't we want to maintain control of our message?

Perhaps. But in this new world of communications, any government that resists new Internet techniques faces a greater risk: being ignored. Our major target audiences – especially the young – don't want to listen to us lecture them or tell them what to think or how wonderful we are.
In those two grafs, Glassman posed a radical philosophical notion that flowed counter to almost any of the rhetoric of his predecessors not to mention the Bush Administration in general: Glassman proposed that controlling the message was not only impossible, but foolish.

As we've blogged before, and included in our policy recommendations from the Understanding Islam through Virtual Worlds project: Information no longer flows in a top-down, hierarchical model. Thanks to the Internet information now flows in a bottom-up, de-centralized mannner. As such, it -- information -- cannot be controlled. In Public Diplomacy, where understanding communication and, more importantly, how to communicate with foreign publics is one of the core measures of success, understanding how the communication dynamic has changed becomes critical. Glassman fundamentally understood that the rules had changed and that government, if it is to succeed in its job, needs to step outside its comfort zone and experiment. In understanding that fundamental cultural shift in communication, Glassman was light years ahead of anyone else in his field.

Belated Inauguration Day Post



While we were trying to determine which website was streaming the 2009 Presidential Inauguration on January 20, our collaborators over at Ill Clan Animation were interviewing people in Second Life about it. Yes, yes. So, you might recognize a few names and faces.

When you're done with that, go watch a few episodes of Tiny Nation.

Russia Leads the World in Internet Spam



I honestly did not see this one coming.

Via Paul Goble's Window on Eurasia mailing list:
The Kaspersky Laboratory, a Moscow company which produces programs to defend against viruses, hacker attacks and spam, said in its highly regarded annual report that was released today that 22 percent of the spam on the Internet originated in Russia, compared to only 16 percent generated in the United States.

Like their counterparts elsewhere, the report said, Russian spammers most frequently "have employed technologies which allow them to get money quickly. One of these technologies," it continued, involves "paid SMS, by means of which users are offered services [of various kinds] for pay.

But while many of these offerings are legitimate if annoying, the Kaspersky Laboratory experts pointed out, spam is now being used to spread harmful viruses throughout the web. (It pointed out that in 2008, China rather than Russia was the leader in the distribution of such viruses).

Wednesday, February 04, 2009

John Brown in Finding Our Voices

John Brown, the "bonus track" in Finding Our Voices


I just discovered that Public Diplomacy Blogger John Brown, granddaddy of all public diplomacy bloggers (by which I mean, he was there first) and proprietor of the Public Diplomacy Press and Blog Review, is a "bonus" feature in the documentary "Finding Our Voices."

It's a stirring, brief video made more so by the fact that the US is now under new leadership.

John was one of three US foreign service officers who resigned in protest of the Bush Administration's policy in Iraq. It also includes the story of John's colleague, John Brady Kiesling. More about the documentary:
FINDING OUR VOICES is a one-hour documentary that introduces the audience to these and other peaceful patriots who march, sacrifice their jobs, risk imprisonment, and face ridicule to act for a peaceful America. The film explores their causes and their lives, presenting their common convictions and their myriad diversity. We look at their dissent since the world-shattering events of September 11th 2001 and the U.S. invasion of Iraq, in the context of history, constitutional rights, and the changing face of law and policy; most importantly, we document their desire to create a better future for their children and grandchildren.

Spring Equinox To Do: Art in the UK



[[ Update: For anyone in the UK, we'll be doing a Tweet-up on March 21 at the below event. Follow us at @ritajking and @josholalia ]]

This past summer we blogged about a visit to the Centre of Space and Time, which included a visit with a Giant White Rabbit at the Meridian Line.

We just received word from the folks at Gunpowder Park that they'll be hosting an opening March 21-22, 2009 in the UK at Gunpowder Park culminating their yearlong project exploring the art of common space.

Gunpowder Park, for those who don't know it, is an ongoing art installation on the site of an old munitions factory near Essex. Rita J. King was invited by Proboscis, one of the commissioned art groups, to collaborate on the development of an art piece that will be featured in the project, about which she blogged recently. Proboscis describes the art piece as "discreet optical interventions." The show we saw this past summer had everything from kinetic to performance to optical to ARG art. It was good fun.

From the notice:
Over the last year, the Art of Common Space has commissioned artists Simon Faithfull, Pilot Publishing, Proboscis and Rob Davis and Usman Haque to develop new works which explore the question what is common space in our 21st century multicultural society? The new projects are on show around the Park and in the Field Station building during the Spring Equinox weekend: Pilot Publishing’s Energy Café (under collective construction) launches into the new season with its biggest local food cook up so far! Non-stop, energizing and DIY activities include a 'Bike in' peddle powered cinema with Magnificent Revolution, an off grid spring banquet fueled and sparked by the winter, experiments, shared resources and you!

Proboscis’s Being in Common includes discreet optical interventions in the landscape of the Park and ‘A Catalogue of Ideas’ inspired by ‘Exploration Packs’ sent around the world.

Simon Faithfull’s new film 0.00 Navigation will be premiered on the meridian line that runs through Gunpowder Park as an ongoing installation of Simon’s epic journey throughout the East of England;

Rob Davis and Usman Haque’s interactive installation Siphonophora in Gunpowder Park’s main lake, gives us an insight into the environmental conditions of pond life, and allows us to listen to the sound of the water.

Tuesday, February 03, 2009

Video from the Understanding Islam through Virtual World release


The dapper Evan O'Neil, managing editor for Carnegie Council's Policy Innovations moderated Thursday's event.


The Carnegie Council has posted the complete video from the Thursday, January 29 release of the Understanding Islam through Virtual Worlds findings. You can watch it here.

In addition to featuring the remarks by Rita J. King and me, it includes a live performance by Iranian hip hop artist, Yas, who we first met in Doha last February at the launch of the project. Yas generously agreed to perform one of his songs about the Iranian poet Rumi.

As Rita J. King mentioned in her remarks,
"The Understanding Islam through Virtual Worlds project was guided by the 13th century Sufi mystic poet Rumi’s idea: ‘Out beyond ideas of rightdoing and wrongdoing there is a field. I’ll meet you there. When the soul lies down upon that grass, the world is too full to talk about. Ideas, language, even the phrase ‘each other’ doesn’t make any sense.’"
So it was extra special that Yas performed a song about Rumi. Special thanks to Yas and his manager, Neda Sarmast, for their support of this project and for generously appearing at the event.

Special thanks to everyone at the Carnegie Council who made last week's event possible including Deborah, Dennis, Devin, Matt, Eva, Madeleine, Evan, Melissa, Danielle, Stefanie and Joel as well as everyone else behind the scenes who made an event that was unusual and unfamiliar to them wonderful and special for everyone.

Art off the Grid: BBoy on the F Train


Bboy on the F Train. Video by Rita J. King.

"What's your group's name?" I asked the guys.

"M Crew," they replied.

"Do you have a website or MySpace?" I asked.

"Nope."

I'm becoming an ever-increasing fan of this sublime art form: Bboy. This amazing, physical art crafted in public spaces of the U.S. ghettos has evolved into a worldwide phenom. Coincidentally (or not-so-coincidentally, depending on your interpretation of coincidence) I learned about it on our research trip to Amsterdam. Throughout the city people were playing videos of worldwide Bboy championships. On deadlines, rushing off to meetings, I spent every spare moment I could to drink this stuff in.

Thanks to Rik Panganiban's recent post I've learned that I can now watch it on cable.

As a post script, I think it makes for a fitting complement to Rita J. King's recent call for submission's for her Being in Common installation (now closed -- thanks to all who participated).

Monday, February 02, 2009

The “Saccharine Doppelganger” Critique



Paul Kretkowski just shared with us a comment that appeared on his blog in response to his post about the Understanding Islam through Virtual Worlds project.

We've heard it before but it was never phrased so succintly or artfully as it was today on Softpower Beacon by reader 22a-rbZD.007. So we're reposting an excerpt here:
"What troubles the ethically aware citizens of the non-muslim planet, is the apparent reliance on Friday afternoon street mobs, incited at mosque to do blackshirt street intimidation in dozens of settings--- even fully Islamic settings (such as the Maldives, where non-Maldivian contract workers are routinely brutalized).

Before even mentioning extremists on martyr missions, dozens of backward, clearly unethical domination artifacts survive in the tribalist miasma that is Islam-as-practiced.

Chauvinism and xenophobia are preached as holy duties, to millions having no other view of the remainder of the human race.

Has Ms. Eureka Dejavu (& Mr. Schmillson Nillson)addressed these realities?

Or have they created a saccharine doppleganger of Islam, cleansed of its crippling medievalisms and self indulgent tribal smallnesses?"

Understanding Islam through Virtual Worlds took place in the virtual world of Second Life. Virtual Worlds are 3D, immersive spaces accessible via Internet-connected computers and are typically not games (that is, people who interact in them are not assigned tasks or roles). This is a medium in which absolutely no physical violence is possible.

As Rita J. King mentioned in her remarks at the Carnegie Council for Ethics in International affairs last week:
"Belief systems overlap now in ways that would have been unthinkable millennia ago when many of the conflicting ideas still governing human behavior today were created, but immersive virtual environments offer the perfect medium for assessment of concepts of self and community. It is not just a good medium, passable amid a sea of other equally effective options. It is the perfect medium, at least as an initial training ground to teach the digital culture how to engage in difficult and sensitive conversations involving real-world challenges in the complete absence of any possibility of physical violence or even any trace of intimidation. Additionally, virtual environments offer a deeper level of candor, which is necessary for true understanding."

The whole point of the Understanding Islam through Virtual Worlds project is to explore what is going on in virtual worlds. We had many tense discussions with Muslims and non-Muslims alike in virtual space around issues such as Islamic Law and Rape, perceptions about the evolution of the Muslim Brotherhood, free speech, women's issues, the conflict in Gaza and the war in Iraq. Many Muslims are fed up with violence and virtual worlds offer a new opportunity, especially for people who live within oppressive regimes, to reach out and discuss these issues and even begin to seek creative solutions.

Peace is not the absence of conflict. The power of radical extremists intensifies if their existence leads to greater separation between Muslims and non-Muslims. We jointly determined with the leadership of the Carnegie Council for Ethics in International Affairs how to frame the philosophical parameters of this project.

To review project findings, click here.

Sunday, February 01, 2009

Press Release: Findings from Understanding Islam through Virtual Worlds Project



Findings from Understanding Islam through Virtual Worlds Project
“Elevating humanity’s most distinguishing feature: The Imagination.”


February 2, 2009 -- After a year of research across the Internet and four continents, Dancing Ink Productions' Rita J. King and Joshua S. Fouts, senior fellows at the Carnegie Council for Ethics in International Affairs, have released the findings from the Understanding Islam through Virtual Worlds project. The project was funded by a grant from the Richard Lounsbery Foundation.

The findings include a trilogy of actionable reports including policy recommendations on the potential use of virtual worlds for public diplomacy to be submitted to the Obama Administration; a mini broadcast quality documentary produced in collaboration with Ill Clan Animation Studios; and a graphic book chronicling the journey. By releasing three versions of the report Fouts and King hope to make accessible what is still a very new medium. Digital versions of the findings can be found here.

"With this report, Josh and Rita have illuminated a new path–a definite intelligible plan–for practical public diplomacy in an area of supreme urgency. Furthermore, they have done so by elevating humanity’s most distinguishing feature: the imagination," said Joel Rosenthal, President of the Carnegie Council for Ethics in International Affairs.

The idea for Understanding Islam through Virtual Worlds project was hatched with a very specific idea in mind: How could people learn about other cultures in an authentic, experiential space -- specifically, how could they learn about cultures that self-identified as Muslim? King and Fouts chose Second Life for many reasons, among them that it is the best international platform -- more than 70% of its users are from outside the United States. Their goal was to to see what they could learn about Islam -- not by inviting particular people with particular perspectives into Second Life, but rather to follow the trail of what was already happening culturally in the space that might yield new insight about Islam.

“Belief systems overlap now in ways that would have been unthinkable millennia ago when many of the conflicting ideas still governing human behavior today were created, but immersive virtual environments offer the perfect medium for assessment of concepts of self and community,” Rita J. King told the audience at the Carnegie Council. “It is not just a good medium, passable amid a sea of other equally effective options. It is the perfect medium, at least as an initial training ground to teach the digital culture how to engage in difficult and sensitive conversations involving real-world challenges in the complete absence of any possibility of physical violence or even any trace of intimidation. Additionally, virtual environments offer a deeper level of candor, which is necessary for true understanding.”

“Earlier this week, President Barack Obama launched the first public diplomacy campaign of his presidency by granting his first international interview to a non-US satellite television news station, Al Arabiya,” said Joshua S. Fouts in his January 29, 2009 remarks at the Carnegie Council for Ethics in International Affairs. “In doing this he effectively went over the leaders of the Middle East and spoke to the people. 'All too often,' President Obama said, 'the United States starts by dictating ... so let's listen.'”

This project at its foundation is about storytelling which is about understanding something new about the human condition. Public Diplomacy, Cultural Diplomacy or Strategic Communication as it is also known, are efforts by governments, NGOs, and civil societies to tell their story to foreign publics. Too often public diplomacy is criticized for being too preachy and not listening. With this project, Fouts and King listened to, and documented the narratives of, people from all over the physical world who either practice Islam, or want to further understand those who do.

Digital copies of all of the Understanding Islam through Virtual Worlds reports can be downloaded here.

For more information, see DIP's Dispatches from the Imagination Age and the Dancing Ink Productions homepage.